Scroll down for full CV⊹
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upcoming
2026:
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upcoming 2026:
May 30:th *** Public performance*** R9K TunedInter Arts Center, Malmö, SE
in collaboration with Jonatan Bergsman
◞ ᶥ
ragebait *specials* June 25:th
in collaboration with Maddie KuzakGern en Regalia, New York, US
ragebaitJune 26:th
Earth, New York, US
September 17:thpublic artist talk
KHMxMMM Lecture Moderna Museet, Malmö, SE
Low Stakestba, Stockholm, SE performative reading
ALL EARS tba, Amsterdampublication release
& reading
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Guinness World Records Audio Guide to Her
Guinness World Records Audio Guide to Her considers listening as both a site of control and of resistance.
The exhibition addresses how sound mediates emotion, power, and belonging, and how humour and critical reflection can reintroduce agency in a culture increasingly defined by performance and commodified affect. Review: https://kunstkritikk.se/ghhrroooaaarrr/
Technician and sound design: Jonatan Bergsman
Acoustic engineer & programming: Alex Lendon
Wood leftovers: Carmine Street Guitars
Photo: Elísabet Anna Kristjánsdóttir & Oda Haugerud.
Low Stakes
2026 19:06 min audio, domain, code
Vocal fry* performance experienced online. Web hotel and domain host as exhibition space. Text as code as medium programmed to glitch when interacted with. Domain: https://lowstakes
*the lowest register of the human voice that occurs when the vocal folds are loose and vibrate irregularly, letting air bubble through slowly— a "creaky door" of low air pressure and relaxed vocal cords causing the vocal folds to vibrate at a very low frequency.
ragebait
2025 performance at Skēnē, Malmö, SE.
In conjunction with solo show Guiness World Records Audio Guide to Her, RAGEBAIT is a collaboration between Haugerud and Kuzak. A play about the social media phenomenon in the tradition of performances defined by audience provocation predating social media such as the Grand Guignol, punk rock, WWE wrestling and tabloid talk shows. RAGEBAIT is dedicated to Lisa Carver, aka Lisa Suckdog, a singular writer, and a playwright and performer of transgressive operas, one of which Kuzak toured with in 2016.
Performed at Skēnē, Malmö during Black Friday 2025. starring Maddie Kuzak, Loke Risberg and Oda Haugerud. Sound technician: Jonatan Bergsman. Play written by Maddie Kuzak.
pick guards
Installation view: ‘pick guards’ I, II & III (2025), ‘Please put your head against the headrest’ (2024) & ’error breeds sense but keep it sexy (ah)’ (2025)
’pick guards I, II & III’ (2025) anti-vibration rubber mounts, chrome guitar stalls, guitar strings, eyelets, washers, screws.
‘Please put your head against the headrest’ (2024) two air compressors, two power transformers, metal angle, washers, cable
’error breeds sense but keep it sexy (ah)’ (2025) Metal plate, aluminum casted key blanks, rotation motor, cable
410 Gone
Broken Sabian crash cymbal, broken China cymbal, air compressors, transformers, used electric guitar body, 3D print, bronze casts of key blanks, aluminum casts of key blanks, key rings, liquid metal, rotation motors, computer fans, unplugged contact microphones, screws, threaded rods, bolts, washers. Photo: Philip Svensson
“Inside The Black Box!!?” is an exhibition coordinated by artists Jamie Hudson (UK) and Victor Svedberg (SWE) in collaboration with NSFW.
The exhibition centres on one sculptural form: an empty IBM Enterprise Server Rack. Relieved of its original function, this container becomes the site and subject of the exhibition, a void containing an endless possibility.
Exploring the subjectivity of this strange and ordinary box, the artists propose a science fiction where a skeleton is re-animated and transformed.*
Throughout the exhibition, the “black box” will host various forms of production as sculptors, sound artists, and image makers engage with themes of technology infrastructure, intelligence, and materiality.
Decidedly episodic, “Inside The Black Box!!?” will grow and evolve over time, gradually becoming a group exhibition over several weeks, installing and connecting works by an interdisciplinary cast of artists: Hanna & Björn, Teresa Winter, Mia Windsor, Oda Haugerud, PWR and Ryan Gerald Nelson.
https://www.newdomain.se/projects/black-box
*No attempts to demystify will be made.
TWIST AND SHOUT
Photos by: Rebecca Eskilsson
‘A Muse’ (2025) glass, aluminium, clay, water, transducers, mac mini, car amplifier, audio interface, cables
‘Vicky’ (2025) 00:01:49 min subtitles, raspberry 4, hd wide screen, cables
Details ‘Vicky’ and ‘A Muse’ (2025).
SLASHER
2025 Group exhibition at Fuxia2, Malmö, SE.
‘ON EAR: accapella ghost track’, 2025.
Transducer on ventilation, amplifier, cable, Mac mini, audio interface00:00:22 second audio, audible once every 30 minutesVocals extracted from screamo-genre track
2025 Group exhibition at Fuxia2, Malmö, SE.
‘ON EAR: accapella ghost track’, 2025.
Transducer on ventilation, amplifier, cable, Mac mini, audio interface00:00:22 second audio, audible once every 30 minutesVocals extracted from screamo-genre track
Works by: Oda Haugerud (Malmö), Asbjørn Skou (Copenhagen), Chantal Peñalosa Fong (Mexico/NY), Stina Fors (Vienna) and Marta Echaves (Madrid).
Photos by: LCB.
An exhibition inspired by the eponymous short story of Ecuadorian writer Mónica Ojeda, published in 2020. Ojeda defines her style as “Andean Gothic”, through which she brings closer the cosmologies from the Andes Mountains with horror tropes, to explore the haunting nature of political violence and patriarchy. In ‘Slasher’, she tells the story of two twin sisters who perform in a noise festival.
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‘IN EAR: mood manager’, 2025. Found TV-chassi, rotation motor, aluminum cast of key blank, key ring, bolts, threaded rods, mounting plates.
Photos by: LCB.
An exhibition inspired by the eponymous short story of Ecuadorian writer Mónica Ojeda, published in 2020. Ojeda defines her style as “Andean Gothic”, through which she brings closer the cosmologies from the Andes Mountains with horror tropes, to explore the haunting nature of political violence and patriarchy. In ‘Slasher’, she tells the story of two twin sisters who perform in a noise festival.
‘IN EAR: mood manager’, 2025. Found TV-chassi, rotation motor, aluminum cast of key blank, key ring, bolts, threaded rods, mounting plates.
‘OVER EAR: intentionally stealthy’, 2025. Anti vibration rubber, kick drum pedal, used ventilation part, note stand, microphone stand, electric violin with one string, used bike tire rubber, amplifier, cables, reverb.
Wall drawing in background by Asbjørn Skou.
Low frequency stimul4tion problems
2025 performance
Play performed with Maddie Kuzak at West Side YMCA, New York, US.
With support from IASPIS and the Royal Art Academy of Sweden
Bone conduction bluetooth headset, bone conduction bluetooth speakers, guitar bridge, guitar strings, printed posters, bed, screen and renaissance collar.
Just another rage room closing for business
PA speaker system placed behind door in an art institution.
Death growl vocals performed by: Henrik Blomqvist
Lyrics: business strategies generated by ChatGPT
Air on the
G-String
Aluminum information board in A4, print on weather resistant Tyvek; altered notation by J S Bach (added breathe marks and feature). Exhibited at Bleed/Norbergfestival 2025.
Ecco Drive
Exhibited in the elevator of Skissernas Museum, Lund.
A screenshot of a found youtube clip from a "rage room"* printed on a thin durable and water resistant material. A sound collage in two channels consisting of polyphony between recorded and found sound material: Slipknot cover on flute, an AI voice suggesting how the electrician has become the cowboy of our time, and my father's reinterpretation of the harmonica solo in the western film “Once Upon a Time in the West” (1968).
REJOICE INWARDLY (Samuel’s Dreams)
Every Good Boy Does Fine
DSM-666
A six channel audio piece making the ventilation system into speakers using amplified bone conduction surface transducers placed on top of each vent exhausts. Audio consisting of a chopped mash up between Suzuki method book 4, squeaky doors and car alarm.
Exhibited at Bleed/Norbergfestival 2025.
time square
On display on a public commercial LED screen in Malmö every fifth minute for seven days.
Crimes against the security of the mind (Voice Memo no. 99)
2024 Audio work exhibited at SWAB Art Fair, Barcelona, 2025
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2024 Audio work exhibited at SWAB Art Fair, Barcelona, 2025
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1+1+1=111
Solo Exhibition, KHM1 Gallery, Malmö, SE
Photo: Youngjae Lih and Oda Haugerud
‘Generosity killed the cat’ (2024) plastic inside of transverse flute case, nicotine gums, aluminum casts of key blanks, metal roof insulation board hanger, screw
‘LOSE YOURSELF (CHOPPED ‘N SCREWED)’ (2024)
Quadradially programmed 4-channel sound collage 25:37 min
4x speaker elements mounted inside the ventilation system blow outs of the gallery space.
(cable, 2x amplifiers, 1x external sound card, mac mini (with Reaper), screen, mouse, keyboard)
Sound collage including electro acoustic/acoustic saxophone improvisations (tenor and soprano) performed by Malin Wättring, Lisen Rylander Löve, Emanuel Sundin, Simon Bertilsson, 515 - Slipknot, Ave Maria Gratia Plena - Monks of Hautecombe, Youtube𝘤-clip extracts from interviews with the storm chaser community ”Girls Who Chase”, voice memo from Ein deutsches Requiem - Brahms performed by Vokalensemblen Musica Ficta, Unknown drunk karaoke singer in dive bar in Detroit performing Suite-Pee - System of a Down, A friend singing along to his favorite track Deacon Blues - Steely Dan in his car, Fri som en fågel - Georg Riedel performed by Brunnsbo Children’s Choir.
‘THE GATES’ (2024) double steel doors without frame, engraving of AI generated drawing using DALL.E 2, air compressor, unhinged mail box making movement and sound through air pressure, bronze cast of key blanks, keyrings, transformator, dust, fixation spray
Installation view
‘Please put your head against the headrest’ (2024) two air compressors, two power transformers, metal angle, cable
‘Partitur I’ (2024) power box shields, rotating motors, electric cable, adapter, bronze casted key blanks, key rings, liquid metal, threaded rods, mounting plates
‘And this is how you remind me (of what I really am)’ (2024) power box shield, rotating motors, electric cable, adapter, bronze casted key blanks, key rings, liquid metal, threaded rods, mounting plates
‘Only offensive to algorithms’ (2024) power box shield, rotating motors, electric cable, adapter, bronze casted key blanks, key rings, liquid metal, threaded rods, mounting plates
Stills from ‘A Descent Into H377’ (2023) Link: https://vimeo.com/995784106/fbb36af1f6
Video 18:53 min . Road movie set in an air conditioned Subaru transporting two people from Detroit to Hell, Michigan.
‘Home, sweet home’ (2024) , metal inside of gym locker, AI engravings of DALL-E 2 drawings, metal roof insulation board hangers, disassembled metal box, screws, home sweet home-sign
‘what is singular about lungs?’ (2023) bronze cast of an industrial fan blade transported by air from Detroit, washing machine stand
‘Nnnnnnaaaaahhhhhhh II’ (2024) disassembled used truck horn, vent metal, threaded rod, mounting plate.
Installation view
‘NOISOME CHOIR’ (2024) 24” stretched LCD 1920 x 360 02:51 min, metal plate inside of gym locker , engraved with AI generated drawing usingDALL.E 2 Video loop in one take filmed inside a carwash in Detroit 
‘Take a walk on the wild side’ (2024) 00:04 min, 5” LCD screen 800 x 480, found metal plate, raspberry 4, cables, usb, screwsvideo loop of a person taking one step forward
‘Born to be wild’ (2024) 5” LCD screen 800 x 480, raspberry 4, cables, usb, found metal plate, screwsbroken electrical circuit map designed to not function. Map constructed in collaboration with an anonymous electric engineer in reference to the love map “Carte de Tendre” (1654-61).
Installation view
‘How hot is hell?’ (2024) found metal frame, metal clamps, drawing printed on notebook graph paper, metal rods, mounting plates, nicotine gum
‘Player’ (2024) metal inside of gym locker, engravings of AI generated drawings using DALL-E 2, metal hooks, metal locks, metal roof insulation board hangers, nicotine gum, aluminum casted key blank, vent grill, screws
‘Player’ (detail, 2024) metal inside of gym locker, engravings of AI generated drawings using DALL-E 2, metal hooks, metal locks, metal roof insulation board hangers, nicotine gum, aluminum casted key blank, vent grill, screws
‘Flight mode’ (2024), two metal angles.
‘Angels not rebels’ (2024) video 07:33 min.
Installation view ‘1+1+1=111’, Galleri KHM. Link: https://vimeo.com/1012538830
‘Travel was a meat thing’ (2024), 3D printed cameo relief of an AI generated image using DALL-E 2, metal pipe fitting, key chain, screws
‘Angel wing’ (2024) white snus found on outside window.
‘Ensamvarg’ (2024) live improvisation by You Thant, midi rock quintet during opening evening ‘1+1+1=111’.The Lustful II
2023
Radiator, keys, key rings
“Out to Lunch“, BLOOM Gallery, Düsseldorf, DE (Supported by IASPIS Swedish Arts Grants Committee)
Photo: Hanna Antonsson
L: Oda Haugerud, The Lustful ll, 2023 R: Yixiao Cao, Die endlose Landschaft, 2020
city stir on eardrum—
murmurs
Solo Exhibition, Hall Gallery, Gothenburg, SE
(detail) ‘born dirty and full of others’ (2023)
piezo microphone, speakers, tripods
‘I got you’ (2023)
found air conditioner filter, keys
Atonal circular breathing tenor saxophone improvisation performed by Malin Wättring.
subjoyride
Fan blades, metal, soap, charcoal, soil, tea
“40°C“, UGO Experimental Platform at Alta Art Space, Malmö, SE
http://www.altaartspace.org/ugo/
Full of Others (I-V)
Radiator, keys, tin cast, spinning motor, key rings, TV
“Vol III“, (Solo Exhibition) Spaysky Fine Art Gallery at Goodweather, Chicago, US
Swift as Thought!
Kefir, walnut residues, metal casts, piezo mic, speaker elements, amplifier, electrical cords, walnut pigmented wall
Duo-exhibition with Ingrid Blix, Heerz Tooya, Veliko Tarnovo, BU (Supported by IASPIS Swedish Arts Grants Committee)
https://heerztooya.com/exhibitions/swift-as-thought
gushing
Fan, keys, key rings, coffee
“Out to Lunch Part II“, 3:e Våningen, Gothenburg, SE
mona lisa overdr1ve
A 5G operetta translating text to music and music to vocals through generative AI. A server situation where the borders between the intimate sphere of kinship and cyber surveillance collide. A work lacking the element of dance that instead choreographs the life of the mind through audible algorithms. In collaboration with ChatGPT, DeepAI and Audimee.
Master by: Jonatan Bergsman.
G-Clef Tattoo: The Problem of Being Seen When You Want to Be Heard
Text, printed on A4 notation paper, open information board, open road case.
BABY FOOD POUCH BEFORE ENTERING HER
Series of postcards exploring the inside of The Statue of Liberty. Transcribed audio notes and stills from handheld video recording.
How Lovely and How Doomed This Connection of Everyone with Lungs
MFA text in accordance with Bologna Declaration quality standard:
https://drive.google.com/file/d/1uORUlzf37Hwn7X25q9ZdEDQh8Kn3jXd6/view?usp=sharing
Living Dead Surplus
Publication 12x18cm 54 p.Edition of 40. Live reading as part of Print Plant Amsterdam representing San Seriffe 2019. Distributed: San Seriffe, Amsterdam. Nominated for GRA Awards 2018.
Graphic Design: Elisabeth Rafstedt
https://rietveldacademie.nl/en/media/inline/2018/6/27/oda_haugerud_living_dead_surplus.pdfCarcer City: I want a name when I lose
text, reading performance solo exhibition 1+1+1=111
A3 risograph printed publication in numbered edition of 111. .
AI generated drawings in collaboration with DALL-E 2.
Track ID: Strauss Concerto no. 1 2024 (detail)
CV
exhibitions
2026 upcoming: low stakes, tba, Stockholm, SE
2026 upcoming: ragebait, artist talk with Maddie Kuzak, Gern en Regalia New York, US
2026 upcoming: ragebait, performance with Maddie Kuzak, Earth, New York, US
2026 upcoming: ALL EARS, tba, Amsterdam, NL
2026 upcoming: KHMxMMM LECTURE, public artist talk, Moderna Museet, Malmö, SE
2026 upcoming: R9K Tuned, Inter Arts Center, Malmö, SE
2025 ragebait, performance with Maddie Kuzak, skēnē, Malmö, SE
2025 Guinness World Records Audio Guide to Her, skēnē (solo exhibition), Malmö, SE
2025 Slasher, Fuxia 2, Malmö, SE
2025 SWAB Art Fair (represented by NSFW), Barcelona, ES
2025 TWIST AND SHOUT, duo-exhibition with Ingrid Blix, Galleri54, Gothenburg, SE
2025 low frequency stimul4tion problems, West Side YMCA, New York, US
2025 bleed, Norbergfestival, Norberg SE
2025 Oljud, 3:e Våningen Konsthall, Gothenburg, SE
2025 Scaling, Fuxia 2, Malmö, SE
2025 Time Square, Amiralsgatan 66, Malmö, SE
2024 Scandic Hell’, Hell, NO
2024 Inside The Black Box!!?, Group exhibition, NSFW, Gothenburg, SE
2024 Mona Lisa Overdr1ve, Works for Radio:The Lake Radio, Listening session, Cinemateket, Copenhagen, DK
2024 Tibbarödsbiennalen, Ugo Experimental Platform, Tibbaröd, SE
2024 Racercontent: Mono No Aware, Stockholm, SE
2024 Atlantis, Degeberga, SE
2024 På Besök, Museum of Sketches, Lund, SE
2024 1+1+1=111, (Solo exhibition), KHM1 Gallery, Malmoe, SE
2023 HEATWAVE HELL, Gallery Permanent Vacation (hosted by Studio 747), Athens, GR
2023 Skulpturpark Amager, Copenhagen, DK
2023 murmurs, (Solo exhibition), Hall Gallery, Gothenburg, SE
2023 Swift as thought!, (Duo exhibition with Ingrid Blix), Heerz Tooya, Veliko Tarnovo, BU
2023 Out to Lunch II, 3:e Våningen, Gothenburg, SE
2023 Out to Lunch, BLOOM, Düsseldorf, DE
2023 40°C, UGO Experimental Platform at Alta Art Space, Malmoe, SE
2023 Regementsgatan, UGO Experimental Platform, Malmoe, SE
2022 məd ˈdriliNG, (Duo exhibition with Jenny Johansson), Kulturtemplet, Gothenburg, SE
2022 Fairy Garden , Riverfront-Lakewood East Park, Detroit, US
2022 Vol III Spaysky Fine Art Gallery, (Solo Exhibition), Goodweather, Chicago, US
2021 Entanglements, U10 Art Space, Belgrade, RS
2020 Tongue Twisters, (Solo exhibition), Pannrummet Konstepidemien, Gothenburg, SE
2020 Worldflax, RIDE OR DIE 2, Gothenburg, SE
2020 The 4th Floor, Nomad, 3:e Våningen, Gothenburg, SE
2019 GROWTH, Laurel Project Space, Amsterdam, NL
2019 HYBREED, RIDE OR DIE 1, Gothenburg, SE
2019 Projekt Es Spionage, Dapper, Amsterdam, NL
2019 100% VROUW, Grote of Sint-Laurenskerk, Alkmaar, NL
2019 freezefearflood, (Solo exhibition), Heerz Tooya, Veliko Tarnovo, BU
2018 The tide is high but I’m holding on, Studio Agatha, Amsterdam, NL
2018 JEANNEKE, PISS!, Butchers Tears, Amsterdam, NL
2018 Living Dead Surplus, (Reading performance), Print Plant Looiersgracht, Amsterdam, NL
2018 BFA Graduation Show, Gerrit Rietveld Academie, Amsterdam, NL
2018 Bulking Agents, M4gastatelier, Amsterdam, NL
2018 Hold Me Now: Feel and Touch in An Unreal World, Uncut, Stedelijk Museum, Amsterdam, NL
2018 Tantalus Bluff, Gallerismus Hollandaise, Amsterdam, NL
2017 GUT FAUNA, Fijnhouttheatre, Amsterdam, NL
2017 REHEARSAL, SSBA Salon, Amsterdam, NL
2017 What is Happening to our Brain?, Uncut, Stedelijk Museum, Amsterdam, NL
2016 Genomics, Wageningen University Research Centre, Wageningen, NL
2016 Bots, Bodies, Beasts, Uncut, Brakke Grond, Amsterdam NL
artist residencies
2026 Hedlandet Residens, Torna Hällestad, SE
2025 Hedlandet Residens, Torna Hällestad, SE
2024 Grabbowsee, DE
2023 ARV.International, Vishovgrad, BU
2022 Aqtushetii, Omalo, GA
2022 Popps Packing, Detroit, US
2019 Belgrade Art Studio, Belgrade, RS
2019 ARV.International, Vishovgrad, BU
2018 M4Guestatelier, Amsterdam, NL
education
2024 The Idea History of Emotions, Lund University, SE
2022 - 2024 Master of Fine Art, Malmö Art Academy, SE
2015 - 2018 Bachelor of Fine Arts, Gerrit Rietveld Academie, NL
2014 - 2015 Bachelor of Visual Communication, Kolding School of Design, DK
2012 - 2014 Graphic Design Östra Grevie Folkhögskola, SE
2013 Art & Publishing, Valand Academy of Fine Arts, SE
2011 Film Studies, Gothenburg University, SE
2010 Art History, Södertorn University, SE
grants
2025 IASPIS International Culture Exchange Grant
2025 Emil Bergs Travel Grant
2024 Two-year Studio Support Grant, Malmö Stad
2023 Carl Erik Levins Stiftelse
2023 IASPIS International Culture Exchange Grant
2023 Jenny Lind-stipendiet
2023 Two-Year Working Grant, Swedish Arts Committe
2023 IASPIS International Culture Exchange Grant
2022 Guest Studio Detroit Grant, Cultural Administration of Västra Götaland
2022 Studio Support, The Cultural Administration of Gothenburg
2021 Artist Support Grant, Swedish Arts Committe
2021 One Year Working Grant, Swedish Arts Committe
2021 Temporary Culture Grant, The Cultural Administration of Gothenburg
2021 Studio Support, The Cultural Administration of Gothenburg
2020 K-Pengar, Kulturungdom
2020 Helge Axons Stipendiefond
2019 IASPIS International Culture Exchange Grant
2019 IASPIS International Culture Exchange Grant
2018 Gerrit Rietveld Academie Thesis Nomination for “LIVING DEAD SURPLUS“
2017 August Ringner Stipendiefond
2017 Petersenska Hemmet Stipendiefond
2015 Stiftelsen Anna Whitlocks Minnesfond
2014 Gunter Raud Stipendiefond
pedagogical work
2025- ongoing Artistic Supervisor, Studio Syd, Malmö Konsthall, SE
2020 - 2025 Art Teacher, School of Culture, SE
2015 - 2022 Guest Teacher, Östra Grevie Folkhögskola, SE
2019 Founder of Ride or Die Gallery https://rideordiegallery.com/, SE
2017 Entrance Exam Committe Member at Gerrit Rietveld Academie, NL
2017 Co-organizer ’Gut Fauna’, Fijnhoutteatre, Amsterdam, NL
2015 Drawing Workshop teacher via Arrivals, Fristad Sthlm & Ingen Människa Är Illegal, SE
2014 Workshop at Superplan Berlin, DE
2014 - 2020 Represented by Young Art! Agency, Stockholm, SE
2013 Published by BOLO Lab, Milan, IT
links
https://kunstkritikk.se/ghhrroooaaarrr/
https://norbergfestival.com/artist/oda-haugerud-1990-se-is-an-artist-currently-based- https://www.newdomain.se/projects/black-box
https://racercontent.com/html/mono_no_aware.html
https://kunstkritikk.se/klackningstid/
https://heerztooya.com/exhibitions/swift-as-thought
http://www.altaartspace.org/ugo/
https://runnerdetroit.run/FairyGarden.html
http://marissajezak.com/fairygarden.html https://goodweather.llc/past.html
https://www.laurelprojectspace.com/exhibitions/Growth
http://belgradeartstudio.com/interview-oda-haugerud-swedennetherlands/
https://arv.international/Oda-Haugerud
https://www.gp.se/kultur/kultur/sex-och-industriellt-restavfall-p%C3%A5-konstepidemin-1.35154989
https://www.gp.se/kultur/kultur/recension-nomad-the-4th-floor-3-e-v%C3%A5ningen-1.23164765
http://konsten.net/the-4th-floor-pa-3e-vaningen/
https://www.x-is-y.com/gerrit-rietveld-academie-eindexamen-expositie-2018/